PERANCANGAN VIDEO DOKUMENTER SINEMATIK TERHADAP PERPADUAN KESENIAN TRADISIONAL DAN KONTEMPORER PADA CANDI BOROBUDUR.

Rifki Risandhy, Wirawan Pandu Wicaksana

Abstract


ABSTRACT

The design of the work "Cinematic Documentary Video on the Combination of Traditional and Contemporary Art at Borobudur Temple" aims to describe the harmony between the wealth of traditional art and contemporary expressions embodied in the symbolism of the Borobudur Temple. This research focuses on visual and narrative exploration to absorb the deep essence of Indonesian culture through the medium of documentary film. The research method involves visual analysis and literature on traditional and contemporary art, as well as data collection through surveys and interviews. In this design, we integrated elements of wayang art, carving, and traditional dance with modern cinematic language to produce an immersive and meaningful visual experience. The design results in the form of documentary videos present a harmonious blend of sustainable cultural values with innovative artistic expressions, inviting viewers to reflect on and appreciate Indonesia's cultural heritage in the context of modern times. In conclusion, the design of this work stimulates a deeper understanding of the importance of maintaining and respecting cultural heritage in the globalization era, by combining the beauty of traditional art with modern cinematic techniques.

 

Keywords: documentary video, traditional art, Borobudur temple, cinematic

 

ABSTRAK

Perancangan karya "Video Dokumenter Sinematik terhadap Perpaduan Kesenian Tradisional dan Kontemporer pada Candi Borobudur" bertujuan menggambarkan harmoni antara kekayaan seni tradisional dan ekspresi kontemporer yang terwujud dalam simbolisme Candi Borobudur. Penelitian ini memfokuskan pada eksplorasi visual dan naratif untuk meresapi esensi budaya Indonesia yang mendalam melalui medium film dokumenter. Metode penelitian melibatkan analisis visual dan literatur tentang seni tradisional dan kontemporer, serta pengumpulan data melalui survei dan wawancara. Dalam perancangan ini, kami mengintegrasikan unsur-unsur seni wayang, ukiran, dan tarian tradisional dengan bahasa sinematik modern untuk menghasilkan pengalaman visual yang mendalam dan bermakna. Hasil perancangan berupa video dokumenter menghadirkan perpaduan harmonis antara nilai-nilai budaya yang lestari dengan ekspresi seni yang inovatif, mengajak penonton untuk merenung dan menghargai warisan budaya Indonesia dalam konteks zaman modern. Kesimpulannya, perancangan karya ini merangsang pemahaman lebih mendalam tentang pentingnya mempertahankan dan menghormati warisan budaya dalam era globalisasi, melalui penggabungan keindahan seni tradisional dengan teknik sinematik yang modern.


Kata kunci : video dokumenter, kesenian tradisional, candi borobudur, sinematik


Full Text:

PDF

References


Aufderheide, P. (2007). Documentary Film A Very Short Introduction. New York: Oxford University Press Inc.

Ayawaila, G. R. (2008). Dokumenter: Dari ide Sampai Produksi. Jakarta: FFTV IKJ Press.

Baskin, A. (2006). Jurnalistik Televisi: Teori dan Praktik. Bandung: Simbiosa Rekatama Media. Bowen, C.J., & Thompson, R. (2013). GRAMMAR OF THE SHOT. United Kingdom: Focal Press. Cohen, J., & Silver, Y. (2006). Disability Etiquette. New York: United Spinal Association

Hampe, B. (2007). Making Documentary Films and Videos: A Practical Guide to Planning, Filming, and Editing Documentaries. New York: Macmillan.

Mabruri, A. (2013). Manajemen Produksi Program Acara Televisi Format Acara Drama. Jakarta: Grasindo

Nichols, B. (2001). Introduction To Documentary. Bloomington : Indiana University Press.

Hall, S. (1995). Representation:Cultural Representation and Signifying Practices. London:SAGE, p. 13

Suprapto, Soekmono. (1981). Pengantar Sejarah Kebudayaan Indonesia 1. Kanisius.

Salam, Umar. (2005). Menuju Kearifan Lokal. Mizan.

Prasetya, Erik. (2015). Mengenal Film Dokumenter. Elex Media Komputindo.

Darmawan, I Made. (2017). Borobudur, Pusaka Nusantara. Kanisius.

Nasrulloh, A. (2019). Wujud Kesadaran Sosial dalam Pembuatan Film Dokumenter. Jurnal Skala Husada, 16(2), 156-164.

Prabowo, T. E. (2018). Budaya Visual dan Kreativitas dalam Pembuatan Film Dokumenter. Jurnal Seni Rupa dan Desain, 2(1), 25-33.

Kusumo, F. H., & Indrawan, R. A. (2020). Pemanfaatan Media Audiovisual dalam Melestarikan Budaya Lokal. Jurnal Panggung, 30(1), 79-89.

Winata, S. (2016). Pengaruh Film Dokumenter terhadap Pemahaman dan Minat Generasi Muda terhadap Budaya Lokal. Jurnal Komunikasi Indonesia, 5(1), 1-10.

Timmerman, K., & Quinn, D. (Eds.). (2018). Expanding Documentary: New Modes, New Media, New Markets. Indiana University Press.

Nichols, B. (2010). Introduction to Documentary (Second Edition). Indiana University Press.

Winston, B. (2016). Claiming the Real II: Documentary: Grierson and Beyond. British Film Institute.

Corner, J. (Ed.). (2013). The Documentary Film Reader: History, Theory, Criticism. Oxford University Press.

Nichols, B. (2001). Documentary Film and the Modernist Avant-Garde. Film Quarterly, 55(4), 16-28.

Berger, J. (2011). Ways of Seeing. Penguin.

Taylor, L., & Willis, D. (Eds.). (2012). Desiring Practices: Architecture, Gender and the Interdisciplinary. Wiley.


Article Metrics

Abstract - 410 PDF - 271

Refbacks

  • There are currently no refbacks.